"When I was very young," he recalls, "I was making music for me. Kirkpatrick had successfully made the transition from making music for its own sake to making music for the masses. A few years later, in 2015, I did Jason Derulo's 'Want To Want Me', and everybody started calling!" Mark started putting me in sessions with tons of different writers. That's when the world of writing for other artists and writing pop opened up for me. In 2010, I had a hit with a rock band called Plain White T's ('Rhythm Of Love') and the next year with Breathe Carolina ('Blackout'), and then Mark Wilson signed me to Warner Chappell. In my early 20s I worked with many alternative rock bands in that way, doing pre-production and so on. "However, I still thought I was going to do regular studio sessions and be a regular producer. I dived in, and started making beats, and set up a small studio with my now manager. I downloaded a bunch of software, and loved the fact that I had so much control. I was already a bit of a computer nerd, and had no money, but was on a PC, and so I started looking around for pirated music software. If the music sucked, there was nothing I could change. I was playing in many crappy small bands, and I had no control over what they were doing. "A friend played me a CD by Aphex Twin, and I was blown away by the fact that computers could be used to do things like that in sound. We got really good at losing, and then we finally won!" The Write Stuffīorn in Los Angeles 37 years ago, Kirkpatrick started playing drums when he was five. I became obsessed with figuring out why I was not winning, as was my manager, Dan Petel of This Is Noise. But then I signed to Warner Chappell, and for a long time I didn't get a cut.
And the moment you have a song in the charts, you're competing with everyone else who has a song in the charts! I did actually have a plan B: I was building websites for money and recording local bands.
"You go in thinking you are good enough, and as soon as you get to the next level, you're at the bottom of the barrel again, and competing with everyone else on that level. But all that failure made me even more obsessed with trying to figure out why my stuff did not sound like what was on the radio. I had two years of these opportunities, and I failed every single one. I remember Mike Caren of APG Music sending me tons of a cappellas of Jason Derulo, asking me to produce a track underneath them.
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In addition, Kirkpatrick has co-written and produced hits for Selena Gomez, Jason Derulo, Justin Bieber, Nick Jonas and more.ĭespite his impressive track record, Kirkpatrick didn't find it easy to crack the maths: "I didn't know how hard it is to write pop music. Even more famously, Kirkpatrick was also behind Dua Lipa's iconic 'New Rules' in 2017, which became an anthem for the then emerging #MeToo movement. He's recently made many people very happy as the man behind Dua Lipa's monster hit 'Don't Start Now', which was a number one in close to a dozen countries, and a top 10 in dozens more. Produced by Ian Kirkpatrick.Talking is Ian Kirkpatrick, one of the world's most prominent pop music writers and producers. 'Don't Start Now' was written by Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren. 'Don't Start Now' is the lead single from Dua Lipa's April 2020 album Future Nostalgia. There's the Max Martin math and there are other people's approaches, and then there's always something that works that you did not think would work.
It's like a riddle, and there are no rules. But I actually think it's the most mysterious and advanced, because you have to make the most amount of people happy. Producer Ian Kirkpatrick was there from the start. Ian Kirkpatrick's studio is mostly an in-the-box affair, with Steinberg's Cubase his DAW of choice.ĭua Lipa's mega-hit 'Don't Start Now' grew out of a writing session in Wyoming to achieve world-wide chart domination.
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